In the old ORF radio building in Vienna – a space resonating with past voices, broadcasts, and frequencies – the transience of communication is made tangible. Frequencies, once carriers of information and emotion, now fade, modulate, and transform – leaving behind only traces, echoes, and shadows of a time marked by upheaval. At the core is the ambivalent communication between men, abstracted from its societal context. The characters serve as metaphors for “transmitters” and “receivers,” embodying scenarios of loss, connection, and transformation. In this setting, they engage in a dialogue with the architecture itself – a resonant space that both stores memory and acts as a projection surface for new meanings.
